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Birth of Christ jj
Painting ID:: 4684
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ALBERTINELLI Mariotto
Birth of Christ jj
1503
Oil on wood, 23 x 50 cm
Galleria degli Uffizi, Florence
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Annunciation_00
Painting ID:: 4683
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ALBERTINELLI Mariotto
Annunciation_00
1503
Oil on wood, 23 x 50 cm
Galleria degli Uffizi, Florence
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Visitation jj
Painting ID:: 4682
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ALBERTINELLI Mariotto
Visitation jj
1503
Oil on wood, 232 x 146 cm
Galleria degli Uffizi, Florence
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Circumcision kin
Painting ID:: 4685
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ALBERTINELLI Mariotto
Circumcision kin
1503
Oil on wood, 23 x 50 cm
Galleria degli Uffizi, Florence
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The Church Militant and Triumphant gg
Painting ID:: 4781
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ALBERTINELLI Mariotto
The Church Militant and Triumphant gg
1365-68
Fresco
Cappella Spagnuolo, Santa Maria Novella, Florence
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ALBERTINELLI Mariotto
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Italian Early Renaissance Painter, 1474-1515
Already as a 12-year old boy, he became a pupil of Cosimo Rosselli, and a fellow-pupil with Fra Bartolomeo with whom he formed such an intimate brotherly rapport that in 1494 the two started their own studio in Florence. Vasari's opinion was that Mariotto was not so well grounded in drawing as Bartolomeo, and he tells that, to improve his hand he had taken to drawing the antiquities in the Medici garden, where he was encouraged by Madonna Alfonsina, the mother of Duke Lorenzo II de' Medici. When the Medici were temporarily banished in 1494, he returned to his friend, whose manner he copied so assiduously, according to Vasari, that his works were taken for Baccio's. When, in the wake of Savonarola's morality campaign, Baccio joined the Dominican order as Fra Bartolomeo in 1500 and gave up painting, Albertinelli, beside himself with the loss, would have joined him; but, spurred by his success in completing an unfinished Last Judgment of Bartolomeo's, he resolved to carry on alone. Among his many students were Jacopo da Pontormo, Innocenzo di Pietro Francucci da Imola and Giuliano Bugiardini.
Albertinelli's paintings bear the imprint of Perugino's sense of volumes in space and perspective, Fra Bartolomeo's coloring, the landscape portrayal of Flemish masters like Memling, and Leonardo's Sfumato technique. His chief paintings are in Florence, notably his masterpiece, the Visitation (1503) at the Uffizi. |
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Related Artists::.
| Ridolfo Schadow | William Vincent Cahill | LAER, Pieter van | |
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